Exhibitions

Lockdown Drawings Project 2020/22 Lockdown Drawings Project 2020/22
2020
Lockdown Sketchbooks 2020/24 Lockdown Sketchbooks 2020/24
2020
...I'm All Ears ...I'm All Ears
2022
Notes on Saints Hair Notes on Saints Hair
2019
Framing Vision Framing Vision
2018
From the Diary of a Fly [Dubious to Reason] From the Diary of a Fly [Dubious to Reason]
2014
Guest from the Future Guest from the Future
2011
Eye of the Blackbird Eye of the Blackbird
2011
And And
2010
A Thousand Yard Stare [Works on Paper] A Thousand Yard Stare [Works on Paper]
2010
Free and easy Free and easy
2009
Yet Yet
2008
For It Seems (A Reading of the Hoffman Collection) For It Seems (A Reading of the Hoffman Collection)
2007
It Can't Hear (Three Colours - White) It Can't Hear (Three Colours - White)
2007
Les Mots Pour Le Faire Les Mots Pour Le Faire
2006
Idyll Idyll
2006
Vera's Room (3rd iteration) Vera's Room (3rd iteration)
2005
[Who is refused], incl. Vera's Room, K Notebook and Promised Cities [Who is refused], incl. Vera's Room, K Notebook and Promised Cities
2005
Reading Room Reading Room
2005
Can't Wait [Letters RL] Can't Wait [Letters RL]
2004
Mimic [with Vera's Room] Mimic [with Vera's Room]
2003
Vera's Room (2nd Iteration) Vera's Room (2nd Iteration)
2003
Eh, Eyeballing and Why Don't You Eh, Eyeballing and Why Don't You
2002
Vera's Room (1st Iteration) Vera's Room (1st Iteration)
2002
Vera's Room - Work in Progress Vera's Room - Work in Progress
2000
Company (Spoken Image) Company (Spoken Image)
1997
Weight Weight
1996
Perpetua Perpetua
1994
Visibility Visibility
1990
Bernard Jacobson Gallery Bernard Jacobson Gallery
1988
  • 2. V's R @ Slought Foundation Philadelphia 2005 2. V's R @ Slought Foundation Philadelphia 2005
  • 1. V's R @ Slought Foundation Philadelphia 2005 1. V's R @ Slought Foundation Philadelphia 2005

Vera's Room (3rd iteration), Slought Foundation, Philadelphia, USA, 2005

Sent from London to Slought for assembly, including diagrams for the making of the kaolin Cones according to my notebook: Mode d’Emploi.

A fairly large crate: full of objects made and found, anecdotes, and aide-memoires; adjunct to a nomadic life - ready to be taken out, arranged, re recomposed/re performed always and everywhere - affirming personal experiences, and, connectivity with the experience of others.

Elements details:

Vera’s room is a generic room [life] space containing: found objects, some furniture, handmade objects of paper and kaolin, and an (invisible) repetitive sound recording. On the table is a copy of a ‘Refusal of Entry’ (No Right of Appeal) document.

All the elements are unified by the whiteish colour of the kaolin being an off - white matter, and, through the ambient sound (recording).

It is of variable dimensions - and for the instructions to construct the Vera’s Room installation - see my notebook: Mode d’ Emploi, created on occasion of the exhibition at Slought Foundation, Philadelphia.

____________

The Slought presentation of Vera’s Room installation was given in collaboration with Helene Cixous. The exhibition, and the event of Helene’s talk Ex-Cities was published as a book by Slought Foundation Contemporary Arts, images by Maria Chevska.

In association with the launch of a monograph (Vera’s Room, The Art of Maria Chevska) published by Black Dog Publishing in 2005, including the K-Notebook with a text by Helene Cixous.

 

Vera's Room (3rd iteration), Slought Foundation, Philadelphia, USA, 2005

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